What Goes into Making a Piano Album… And an Official Release Announcement!

With my first year of grad school behind me, and six months since my last post, you can say there’s a lot to catch up on—both on this blog and in life, I suppose.  But I’m going to cut to the chase with what’s going on right now:

I’m recording my second solo piano album, Hematite!  It will be released on July 26th.

I know I’ve had six years to do this (my first one Airborne came out in 2013), but to be honest, I’m somehow scrambling to finish this by the deadline.  How can this be?

I’ve worked on this second album off and on since 2014, but I got sidetracked with other composition and engineering projects for college.  You can’t just write for solo piano if you want a degree in composition—nor can you just engineer your own single album if you want an audio degree.  You have to branch out and get out of your comfort zone.

Audio school and music school were “distracting” in the best way

Since releasing Airborne at the end of high school, those four and a half years of college have made me a better composer, pianist, and audio engineer.  Obviously, this is a good thing, but there’s an unintended consequence: when I went back recently to listen to the pieces I’d already recorded for Hematite, I realized they were no longer representative of my abilities.

By getting better at what I do (and being a perfectionist), I unwittingly made more work for myself, prolonged the album process, and have put myself into a bind to try to meet this July 26th release.

Before I say any more, I’m going to back up because you may be wondering what hematite is.  And why did I call my album that?  Well, hematite is a mineral that’s an iridescent dark gray with streaks of red—hence the “-hema,” which means blood.  It carries a lot of symbolic meanings in folklore, such as strength, courage, and healing.

Actual hematite stones

I don’t want to say too much else right now, but I’ll just say that the obscure title is a subtle acknowledgment of a turning point in my life and an invitation for listeners to assign their own meanings—everyone has their own difficulties and could use those things that hematite can symbolize.

Okay, this all sounds nice, but if you’re still reading this, then perhaps some of you are still wondering:

What exactly goes into making an album and why am I so concerned about finishing or not?

What does it take to go from a musical idea, to a finished composition, to a recorded track, to a cohesive collection?  What does it take to make a professional quality product?

For a more classical-type album like this, the process is a little different than, say, a pop record where you’d want a team of musicians, songwriters, engineers, a producer, and a marketing group if you’re a big enough artist.  You’d also usually have a pre-production phase before getting to the studio where you work with a producer to iron out any kinks, but that doesn’t apply for me.  I could still have assembled a team in my genre if time and budget allowed, but…

No, I’m the entire team for this project—I’m doing all of my own composing, performing, producing, marketing, and even graphic design.  I’m entirely responsible for every single aspect of the process from writing strong pieces, to making recordings that sound good, to managing everything that has to do with the business side.

If it sounds like a lot, well—it is.  And frankly, I’m overwhelmed and wondering if I can really finish in this timeframe.  I’ve only recorded four of the nine or ten tracks, and four tracks are still in various parts of the composing phase.  I haven’t even started the tenth track, so as much as I’d like to have an even ten, it may not happen.

  1. So first, I have to get the remaining tracks recorded within a few days of the piano getting tuned.  This way, I can avoid slight pitch problems.  I’m very picky about my recordings being in-tune. 🤷‍♀️ I now have just under two weeks to finish composing those four or five tracks to stay on schedule because tuning is on June 10th.  I’ll give myself until the end of the week to finish tracking, but hopefully I’ll finish sooner.If the composing isn’t good, the whole album won’t be good.

  2. Next, I have to edit everything because recording is just the beginning.  I try to get my pieces recorded in one take, but often there are one or two (or ten) spots that bother me enough that I want to cut them out and then replace them with a different take.  Of course, it’s always a fine line between making a “perfect” performance and a natural-sounding one with emotion.
    One likes to hope they won’t need this much editing for one track…

  3. Once I’ve recorded all of my tracks and pieced together the best performances,  I still won’t be done.  Next, I’ll have to master the album.  This is where you add EQ and gentle compression (in the case of classical piano) to smooth out the sound and bring up the volume of the tracks to a level comparable to other commercial recordings.  Mastering is also the stage where you set how long of a break there is between each track and encode metadata for a CD.  June 30th is the latest I can submit the final master to the disc manufacturer to get the CDs printed in time for the July 26th album release concert.
    Sometimes letting go and uploading the project is the hardest part…

  4. Lastly, I have to drive up to the plant in New Jersey (actually, I’m tagging along with family to see relatives conveniently near the company) to pick up the disks in-person to cut out shipping costs and avoid using more-expensive expedited production time.  It’s $400 versus $800, so with my almost non-existent budget that’s well worth it—and it’s great to see family while I’m at it.
    What a feeling when the album is done and you can hold it in your hands!

So can you see why finishing this second album in less than two months is a bit overwhelming?

Nevertheless, I’m confident I can pull it off.  If I can do it as a high-schooler in 2013 with almost no formal training, than I can do it now with six more years of experience, two degrees behind me, and half of a master’s… Right?  It won’t be easy to meet the deadlines, but somehow, someway, I’m going to show up to my album release party with something in hand.

So friends, I hope you’ll buckle up and come along for the journey.  I could still fail fantastically, in which case you’ll have a good laugh, or I could pass with flying colors—or maybe it’ll be something in-between.

I’m going to be posting every week giving you an inside look at every step of this adventure.  Get ready for a wild ride…

4 Life Lessons I’ve Learned from My First 7 Days in Chicago

As the flat, corn-lined highway stretched in front of me for as far as I could see, months of anticipation and preparation shifted into reality.  After uprooting myself from my beloved Music City eight months ago, I was now trading my Virginia Appalachians for Chicago skyscrapers.

I’d visited the city for just a few hours in the spring, but now I’d committed to an entire two years of graduate school there.  What if I got back to Chicago and ended up hating it this time? Continue reading “4 Life Lessons I’ve Learned from My First 7 Days in Chicago”

Where I’ve Been

I know, I know—I haven’t posted in two months.  So maybe you’ve been wondering where I’ve been.  Or maybe you didn’t notice.  The truth is, I’ve been a lot of places, so I’ll tell you about some of them…

 

For the most part, I’ve been… At school, in the practice rooms.
Three hours a-day, seven days a week (in theory, anyway). Music school is extremely demanding and exhausting, but in all of that time at the piano, I’ve come up with some amazing pieces that I’m looking forward to sharing on the next album.  I’m going to dare to say that my second album will be better than the first.  (I’ll tell you more about this album in next week’s post.) Continue reading “Where I’ve Been”

Studio Life: Piano Recording for Film/TV

When you think about Christmas break in college, you might imagine sleeping in, spending time with family and old friends, and just doing nothing.  While it’s true that I did do all of the above a little bit, for me, going home is always a time for recording and composition.

This is what my "break" looked like
This is what my “break” looked like

Continue reading “Studio Life: Piano Recording for Film/TV”

Starting a New Chapter!

I’m excited to say that I have just been brought on as a composer by the production music library Musinc!  From now on, anything I write and record, once accepted into the library, will be available for licensing for film, TV, and other media.  The material from Airborne is already in the catalog.  There will also be opportunities for filmmakers and music supervisors to commission me to write custom pieces.

Continue reading “Starting a New Chapter!”

Why My Next Album Can’t Live up to the Past

Back in the studio working on my second piano album!

It’s official… I’ve begun working on my second piano album!  I plan to record most of it over the course of this summer, and I expect to release it in early spring of 2015—perhaps sooner or later depending on how many other projects I’m doing.  I’m hoping to make it longer than Airbornehopefully around 40 or 45 minutes.  As of right now, I’ve completed two compositions with another almost done, bringing me to around twenty minutes of music.

I was hoping to come home from college with enough material completed to record another album right away.  And I wanted to be more active on my blog throughout the past year, release singles, produce other artists, and play more gigs, but life happened… Continue reading “Why My Next Album Can’t Live up to the Past”

Successfully Recording an Out-of-Tune Piano without Tuning It

As I was getting ready for my piano jury at the end of the semester, it became apparent to me that my Chopin nocturne was at its peak.  The problem?  Juries were still two weeks away.  I know myself too well, and I know that when I get to a certain point, the more I practice, the worse my pieces will become.  So I decided that if I ever wanted to have a recording of my nocturne, I had to do it fast.  So one night, I packed up all my gear (a feat in itself) and headed to my university’s music building, hoping to somehow find an open grand piano. Continue reading “Successfully Recording an Out-of-Tune Piano without Tuning It”

A Month of Firsts

I realize I haven’t written in awhile, but this last month has been an incredible month of first times…

1)  The first time I performed one of my own compositions in a concert hall.

I performed my piano piece “Equinox” in the McAfee Concert Hall as part of the Student Composers Recital.  As far as I know, I was the only freshman composer who participated.  It was wonderful to hear the sound of my piece performed in such a wonderful venue.  And it was such an thrill to be featured among so many other talented artists at this school! Continue reading “A Month of Firsts”

My Best Worst Semester

These past three months in Nashville have been a whirlwind of a semester.  While this semester started off rough, I’ve finished it having done things I never dreamed I’d be doing so soon.  But it was a tough start…

When I went home for fall break in October, friends would ask me, “How is your first semester of college so far?”

“Awful,” I’d tell them. Continue reading “My Best Worst Semester”

The Next Step

It’s amazing how much can change in a few weeks’ time…  I’ve moved to Nashville and started college.

Up to this point, my posts had running through them the consistent theme of being a teenager and trying to figure out how to make good recordings and compositions on my own—and often getting in over my head with my undertakings.  However, now I have the ability to learn from some of the best of the best; I’m not on my own anymore.  But I don’t know what that will mean for this blog.  For that matter, I’m still figuring out what that means for me. Continue reading “The Next Step”