Have you ever noticed that the word “composition” has “position” in it? It may be a coincidence, but recently, I found out that position is more than a part of the word—it’s a part of the process that can make all the difference.
Over the last few months, I’ve been having a dry spell in my composing. Even though I probably composed my usual amount of music last semester, I was beginning to get to a point where composing was just another thing on my homework to-do list. There was no enjoyment—just dread. It all came to a head last week, when I realized how miserable I was when I composed, and I started to wonder if I had lost the abilities and passion I’d had for composition before my album release.
It was a Friday night, and I found myself, once again, sitting alone in my dorm room, alternating between staring at my much-too-blank score and at the dusty keys of my keyboard. Making progress on my midterm composition project seemed impossible. I’d never even written a string quartet before. How was I supposed to write my first one in three weeks? And it wasn’t like I could spend the entire day working on it for three weeks—I had fifteen other credit hours of course work to deal with on top of daily two-hour piano practicing.
It’s been a wild ride, but my debut solo piano album Airborne is done and out!
Eleven months ago, I was inspired after returning from two GRAMMY Camps and had a bold idea: I was going to release a thirty-five minute solo piano album by the end of the following summer.
At the time, I only had one piano piece (“Airborne”) that I felt was good enough to record. I had already committed to producing an EP for singer/songwriter Lily Garay that fall, too. And there were college music school auditions in February to practice and prepare for. Suffice it to say that the prospects of releasing a full-length album were not good.Continue reading “Airborne is Out!”→
May 18. The day is burned in my mind. It ominously looms over me like a storm cloud, on the verge of raining havoc upon my world. So what dreadful tribulation shall befall me on this date?
May 18 is my album’s tracking deadline.
No big deal, right? Wrong—I still have to finish writing one of the pieces (which I’ll refer to as “F Minor” for now) on the album. That’s a serious problem—really serious. Continue reading “288 Hours”→
Recently, I’ve decided to release my first-ever solo piano album. In addition to composing and performing every piece on the album, I will be producing and engineering the project myself. I’m also directing the marketing, promotion, and finances. In other words, I’m doing the whole thing on my own. (Hence, my lack of updates lately.) I know there are significant advantages to pulling from others’ talents for a project, but at this stage in my career, I’m doing the album by myself to learn. Am I crazy?Maybe. Am I a control freak? Not exactly. Let me explain… Continue reading “My First Solo Album: What’s REALLY Involved?”→
It’s great to be back! So much has happened this month. I’m in shock right now.
Firstly, those crazy music school auditions are over. They went well, as far as I can tell, but I still don’t know for sure if I got in. We’ll see in a couple more weeks, I hope.
But that brings me to my main piece of news–I didn’t audition as any kind of composition major like I had thought I would. I’ve changed my mind again, and now I’m a music minor majoring in Audio Engineering.
In my last post, I mentioned in passing that I wrote a new piano composition. Well, now I’m getting ready to take it to the studio. It’s called “Equinox,” and it’s eight minutes long, in the key of Db (also modulating to Ab and Gb/Ebm), has lots of tempo changes, uses nearly the entire keyboard, and requires all three pedals (yes, even the middle one). Recording it, to say the least, is going to be challenging.
While one might think it would be easy to record one acoustic instrument, personally, I find it much harder to do well. It’s so much more exposed; you can’t hide your problems. There’s no covering up bad edits or poor tone-quality by burying it among other tracks. With this kind of recording, you hear it all––the good and the bad.
Too many composers and songwriters just sit around and wait for creativity to happen. But the truth is that, most of the time, by making yourself write, you inherently have to be more creative to be able to put something on the paper in the first place.
There are so many decisions to make when you’re a senior. It’s hard to know what to do.
College applications are heading my way, and auditions are drawing near. You might think this wouldn’t be a problem for me since I already know that I want to produce and compose. But I haven’t been worried about what I’m doing after college. The question for me has been what to do in college. I’ve felt really torn between classical composition vs. commercial composition vs. audio engineering.