Musicians always seem to wonder how much practice is “enough.” An hour a day? Two? Three? As many as you can physically tolerate?
Well, there’s no simple answer. I’ve heard some experts say no more than two, and others have said four is just right. And then there’s the 10,000-hour rule that says it takes 10,000 hours to master a skill. Break that down, and it comes out to be about three hours a day for ten years. (Check out Malcolm Gladwell’s book, Outliers for more on the 10,000-hour rule.)
Continue reading “Does Practice Make Perfect? Why Methods Matter”
Too many composers and songwriters just sit around and wait for creativity to happen. But the truth is that, most of the time, by making yourself write, you inherently have to be more creative to be able to put something on the paper in the first place.
I used to be the kind of composer that just waited around, and I often moved onto new pieces whenever I hit the “barrier.” I used to think that forcing yourself to be creative stifled creativity, but now I see otherwise. Continue reading “Composer’s Block: Pushing Past the Walls”