I’m excited to say that I have just been brought on as a composer by the production music library Musinc! From now on, anything I write and record, once accepted into the library, will be available for licensing for film, TV, and other media. The material from Airborne is already in the catalog. There will also be opportunities for filmmakers and music supervisors to commission me to write custom pieces.
It’s great to be back! So much has happened this month. I’m in shock right now.
Firstly, those crazy music school auditions are over. They went well, as far as I can tell, but I still don’t know for sure if I got in. We’ll see in a couple more weeks, I hope.
But that brings me to my main piece of news–I didn’t audition as any kind of composition major like I had thought I would. I’ve changed my mind again, and now I’m a music minor majoring in Audio Engineering.
Too many composers and songwriters just sit around and wait for creativity to happen. But the truth is that, most of the time, by making yourself write, you inherently have to be more creative to be able to put something on the paper in the first place.
I used to be the kind of composer that just waited around, and I often moved onto new pieces whenever I hit the “barrier.” I used to think that forcing yourself to be creative stifled creativity, but now I see otherwise. Continue reading “Composer’s Block: Pushing Past the Walls”
Remember in english class how you were told to keep your essays on-topic? They said to come up with a thesis, and everything in the essay had to somehow support or build up to it. You weren’t supposed to put in lots of “padding” or go off on a tangent. Well, believe it or not, the same concept applies to music production.
Like a strong essay, your song should grab people from the beginning and make them want to stick with it until the end to see how you resolve the “question.” The intensity of the song has to be constantly increasing through contrast and changes in instrumentation, tone, and dynamics.