It’s official… I’ve begun working on my second piano album! I plan to record most of it over the course of this summer, and I expect to release it in early spring of 2015—perhaps sooner or later depending on how many other projects I’m doing. I’m hoping to make it longer than Airborne—hopefully around 40 or 45 minutes. As of right now, I’ve completed two compositions with another almost done, bringing me to around twenty minutes of music.
I was hoping to come home from college with enough material completed to record another album right away. And I wanted to be more active on my blog throughout the past year, release singles, produce other artists, and play more gigs, but life happened…Continue reading “Why My Next Album Can’t Live up to the Past”→
I realize I haven’t written in awhile, but this last month has been an incredible month of first times…
1) The first time I performed one of my own compositions in a concert hall.
I performed my piano piece “Equinox” in the McAfee Concert Hall as part of the Student Composers Recital. As far as I know, I was the only freshman composer who participated. It was wonderful to hear the sound of my piece performed in such a wonderful venue. And it was such an thrill to be featured among so many other talented artists at this school! Continue reading “A Month of Firsts”→
These past three months in Nashville have been a whirlwind of a semester. While this semester started off rough, I’ve finished it having done things I never dreamed I’d be doing so soon. But it was a tough start…
When I went home for fall break in October, friends would ask me, “How is your first semester of college so far?”
It’s amazing how much can change in a few weeks’ time… I’ve moved to Nashville and started college.
Up to this point, my posts had running through them the consistent theme of being a teenager and trying to figure out how to make good recordings and compositions on my own—and often getting in over my head with my undertakings. However, now I have the ability to learn from some of the best of the best; I’m not on my own anymore. But I don’t know what that will mean for this blog. For that matter, I’m still figuring out what that means for me. Continue reading “The Next Step”→
It’s been a wild ride, but my debut solo piano album Airborne is done and out!
Eleven months ago, I was inspired after returning from two GRAMMY Camps and had a bold idea: I was going to release a thirty-five minute solo piano album by the end of the following summer.
At the time, I only had one piano piece (“Airborne”) that I felt was good enough to record. I had already committed to producing an EP for singer/songwriter Lily Garay that fall, too. And there were college music school auditions in February to practice and prepare for. Suffice it to say that the prospects of releasing a full-length album were not good.Continue reading “Airborne is Out!”→
As the lone audio engineer for my piano album Airborne, at this point, I’ve done way too much solo piano editing. Am I that bad a pianist? No, but I’m a perfectionist, so I strive to meet impossible standards—especially since I have such a strong idea of how my own compositions should sound.
Even so, editing is much more than finding flawless takes and putting in crossfades to piece them together—it’s about maximizing musicality through artistic and technical choices. While I don’t purport that putting together twenty different segments into one track is as good as playing a perfect take straight through, I will go so far as to say that, when edited well, the difference between a composited track and a one-take track can be minute. However, with any kind of solo instrument recording, making edits is playing with fire if you don’t know what you’re doing. And with piano recordings, their many inherent challenges only pour on gasoline. Even so, by following some simple rules, I’ve found one can safely edit a piano recording: Continue reading “Bright Idea or Playing With Fire? – Airborne Studio Diaries”→
After five years of studio work, I somehow continue to hope that, maybe, my next recording session will be “normal”—no technical problems, no surprises, and no burnout. But I’ve never had a “normal” session. Apparently, in the studio, exceptions are the rule.
May 18. The day is burned in my mind. It ominously looms over me like a storm cloud, on the verge of raining havoc upon my world. So what dreadful tribulation shall befall me on this date?
May 18 is my album’s tracking deadline.
No big deal, right? Wrong—I still have to finish writing one of the pieces (which I’ll refer to as “F Minor” for now) on the album. That’s a serious problem—really serious. Continue reading “288 Hours”→
Recently, I’ve decided to release my first-ever solo piano album. In addition to composing and performing every piece on the album, I will be producing and engineering the project myself. I’m also directing the marketing, promotion, and finances. In other words, I’m doing the whole thing on my own. (Hence, my lack of updates lately.) I know there are significant advantages to pulling from others’ talents for a project, but at this stage in my career, I’m doing the album by myself to learn. Am I crazy?Maybe. Am I a control freak? Not exactly. Let me explain… Continue reading “My First Solo Album: What’s REALLY Involved?”→